The Metropolitan Museum’s Costume Institute enters the cyber-world of fashion with the new exhibit, blog. mode: addressing fashion. Today, everyone has an opinion on fashion. The democratization of fashion has paved the way for millions of self-proclaimed fashion critiques and shaken the authoritarian fashion editor mandates. Harold Koda, Curator in Charge of The Costume Institute, explains, “Fashion, both a reflection and an expression of the zeitgeist, is open to a wide range of interpretations. While painting and sculpture can sometimes seem to be at an intimidating conceptual remove, fashion is so familiar, so ubiquitous to our experience that it is inherently and immediately accessible. Individuals who might shy away from commenting on the merits of a Juan Gris or Henry Moore will readily disclose their thoughts on a gown by John Galliano or a mule by Manolo Blahnik. Unlike its 'high art' siblings, fashion, even in its most extreme and avant-gardist expression, draws us in with its personal relevance."
The exhibit includes 65 costumes and accessories dating from the 18th century to the present. Recent garment acquisitions from the past seven years - from a 2005 John Galliano for Christian Dior deconstructed ball gown to Miguel Adrover’s 2001 transformation of neighbor and writer Quentin Crisp’s old mattress into a overcoat. Other notable acquisitions hail from top houses as Azzedine Alaïa, Manolo Blahnik, Jean Paul Gaultier, Junya Watanabe, Rodarte, Charles Frederick Worth, and Madame Grès to name a few. The exhibit invites debate from the public on the oeuvre and dissemination of the fashion and society with curators Harold Koda and Andrew Bolton at the museum’s blog, http://blog.metmuseum.org/blogmode/. Visitors to the exhibit can respond at the “blogbar”, a terminal of computers in the exhibit’s gallery. A book, blog. mode: addressing fashion, featuring photographs of all the garments and accessories, along with curatorial commentary and blog excerpts will be published upon the closing of the exhibit. On view December 18- April 13, 2008.


On view (l to r): Vivienne Westwood, silk dress ,Propaganda, 2005-200,6; Elsa Schiaparelli, coat, 1938, polychrome wool felt; Jean Paul Gaultier, Des Robes Qui Se Rerobent, evening ensemble, spring/summer 2001, beaded pink silk with overlay of silk tulle.